Description
リオデジャネイロの音風景を豊かに描き出すこのコンピレーションアルバムは、サンバやボサノヴァといった伝統的なリズムだけでなく、エレクトロニカやアンビエントなどの現代的なサウンドも取り入れ、多彩な音の冒険を提供する。街の喧騒や自然のささやき、ローカルアーティストたちの情熱が織りなす音のタペストリーが、聴く者をリオの街角へと誘う。新旧の音が交錯するこのアルバムは、都市の持つ多面的な魅力を余すところなく伝え、リスナーに未知の音の旅を体験させてくれる。
A1 Ana Frango Elétrico– Saudade
A2 Pedro Fonte– Clichê
A3 Bala Desejo– Lua Comanche
A4 Ava Rocha– Boca Do Céu
A5 Exército De Bebês– Avós Da Experiência
B6 Thiago Nassif– Soar Estranho
B7 Negro Leo– Mulato
B8 Mari Romano– Amélie
B9 Rosabege– Sigo Num Site / Mármore
B10 Dora Morelenbaum– Vento De Beirada
B11 Cadu Tenório, Juçara Marçal– Candombe - La Cacundê Lauê
C12 Jonas Sa*– Gigolô
C13 Troá*– Bandeide
C14 Marcelo Callado– Simbora
C15 Ovo Ou Bicho– Moços
C16 Lê Almeida– Apreço Antigo
C17 Vovô Bebê– Briga De Família
D18 Joana Queiroz– Dois Litorais
D19 Raquel Dimantas– Flecha Azul
D20 António Neves*, Thiaguinho Silva– Das Neves
D21 Letrux– Dorme Com Essa
D22 Os Ritmistas– Sambolero
Featuring 20+ groundbreaking artists from Rio’s resurgent music scene, intent on bringing an avant-garde edge to bossa nova, samba, jazz and funk
Hidden Waters is our homage to a Rio de Janeiro music scene that has been bursting with creativity and camaraderie over the past decade. Centred around a pool of artists, poets, and musical innovators who flow between collaborative works and individual passion projects, this scene’s collective power has prompted a sea-change within carioca counterculture. Reclaiming derelict spaces and dissident sounds, they are now making ripples tantamount to musical revolution, finding admirers across the waters in the New York Times, The Wire and even at the Latin Grammys.
Theirs is the sound of contemporary Rio, marked by a hybridity that pools the popular and avant-garde, the cutting-edge and carnal, with echoes of everything from Tropicália, samba, disco and Candomblé to lo-fi rock, jazz, bossa nova and experimental electronics.
Hidden Waters features such musicians as iconic scene mainstays Negro Leo, Ava Rocha and Kassin, Brazilian jazz upstart Antônio Neves, critically-lauded avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, and sonic explorer Cadú Tenorio, as well as revelatory new voices Raquel Dimantas and ROSABEGE, among many others.
FROM HIDDEN WATERS,
A NEW WAVE IS RISING.
***
A few words on Hidden Waters from Brazilian professor and noted music critic Bernardo Oliveira:
Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro is a sample of what Rio de Janeiro has produced in the last decade in terms of pop music, experimentalism, MPB, Tropicália and neo-bossa nova. In its 23 tracks you can discover different ways of reinventing both carioca and Brazilian music. Scene veterans Kassin and Jonas Sá redesign Lincoln Olivetti's radio pop, absorbing the soul influences of Tim Maia and Cassiano; while Ana Frango Elétrico, of the new generation, won the world with the ironic pop of her second album, Little Electric Chicken Heart. Ana’s work shares many traits with a group of emerging artists – Vovô Bebê, Thiago Nassif, Raquel Dimantas and Antônio Neves – capable of synthesising pop, bossa nova and rock, as well as others who follow the tradition of Brazil’s great singer-songwriters: Ilessi, Mari Romano, Dora Morelenbaum, Letrux and the duo Troá.
In the realms of experimental music, linked to the Audio Rebel/Quintavant scene in Rio, Negro Leo and Ava Rocha sing an unlikely cross between free jazz and tropicalist legacy, while the duo of Juçara Marçal and Cadu Tenório create industrial reinterpretations of vissungos (slave work songs), collected by the philologist Aires da Mata Machado in Minas Gerais. Lê Almeida, a veteran of Rio de Janeiro lo-fi rock, and founder of Transfusão Noise Records, appears with a track from his solo work, while Joana Queiroz, a member of the jazz band Quartabê, explores the sonic nuances of her clarinet and vocals.
The economic growth of the first decade of the 21st Century opened space for initiatives in Rio to be strengthened, reaching even more of the city's population. This same city is now experiencing a different situation, a dystopian nightmare of an unprecedented political and social crisis. How could it be possible to envision avant-garde music in a city with no future? What this collection demonstrates is that, immersed in a sea of references linked to music — from carnival to baile funk, from Bossa Nova to various manifestations of pop — Rio has never stopped evolving. Rio, despite everything, resists.
Gatefold vinyl comes with a sleeve insert of two essays written by eminent music journalist Leonardo Lichote and professor and critic Bernardo Oliveira, and extensive track-by-track notes written by the participating artists themselves, all housed in beautiful artwork created by Caio Paiva and Karina Yamane.
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