Ana Mazzotti – Ninguem Vai Me Segurar

Born in Rio Grande do Sul in the south of Brazil, she was a singer-songwriter and pianist, working with Hermeto Pascoal. Ana Masocchi, a genius who passed away prematurely. "Ninguem Vai Me Segurar (1974)" is one of the few works left in his career and is known as the pinnacle of Brazilian rare groove. Except for Homido Santos, who was a partner in both public and private affairs, who was in charge of production and drums, arrangement/keyboards are José Roberto Beltrami, bass is Alex Marheiros, percussion is Ariovaldo Conteschini. Appointed as it is. Recorded around the same time as Azimuth's legendary 1st album, this work has long been loved by many music fans as a masterpiece of Brazilian rare groove along with Azimuth's other works. "Agora Ou Nunca Mais", a killer electric piano samba jazz starting from 7 beats, "Roda Mundo", a spacey mid-jazz funk, and "Eu Sou Mais Eu" starting with an intense ensemble of bass, drums and clavinet.. . Despite the extremely simple composition of drums, percussion, bass, and electric piano, the unique nuances of each group create unique grooves against the background of the common language of samba. As the pinnacle of Brazilian fusion and spacey jazz funk, it can be said to be a condensed version of the appeal of Azimuth, a treasure trove of sampling sources and a groove museum. And the ultimate is a cover of "Feel Like Making Love", which is famous for being sung by Roberta Flack. It can be said that the recording of this rare groove anthem, in which Beltrami's unique synthesizer and Masocchi's unparalleled singing voice create a particularly mellowness, is what makes this album a masterpiece.

A1Agora Ou Nunca Mais2:58
A2Roda Mundo2:28
A3Acalanto1:56
A4 Cordao3:41
A5De Um Jeito So3:15
B1Eu Sou Mais Eu3:17
B2Canto De Meditacao3:22
B3Feel Like Making Love3:54
B4Bairro Negro2:45
B5Sou2:25