Description
[Popular board restock! ] Enitokwa, an artist who is energetically developing DJ/live activities mainly in Kansai, will release his 5th full-length solo album for the first time in 15 years! With allies Hiroshi Watanabe aka Kaito, Yoshitake EXPE, SYNTH SISTERS and more as guests, they will be presenting superb ambient/drone music! Ambient, Balearic, and healing music such as Music From Memory, Into The Light, and Growin Bin are gaining attention now, so this is a high-quality album that you can't miss! I hope that it will be converted to analog as soon as possible, but I have no concrete plans for the time being, so I have no choice but to buy this CD!
1. Kalm
2.Isla
3. Ananke
4. Seele feat. Yuuji Hiromoto
5. Aqueronte feat. SYNTH SISTERS and Yuuji Hiromoto
6. Dalma - Urban Cave Mix remixed by Mental Youth
7. Kimallus Intro.
8. Kimallus feat. Hiroshi Watanabe aka Kaito and EXPE
9. Moonscapegoat
10. 2069
1994 Japanese Techno - Ambient Enitokwa, who has been a maverick since the dawn of time, finally completed his 5th full-length album after 15 years as a solo artist. Drone passing by Techno-Ambient-House, Experimental sound. Hard Core and Animism stand quietly at its base.
Together with five sets of seven allies.
Hiroshi Watanabe aka Kaito
Yoshitake EXPE
SYNTH SISTERS
Yuuji Hiromoto
Mental Youth (from Rotterdam)
I am convinced that this album was a session between souls heading to the future and souls coming from the future rather than music.
Enitokwa
Drone music, which I arrived at through various musical experiences, is the modern music of the 21st century that makes full use of electronics. A delightful work that expands the art of recording.
Kaoru Inoue
A pure sound like after wiping away all evil thoughts and worldly desires. The revelatory tone that occasionally peeks into the depths of aesthetics is truly delicious.
Music Magazine Writer Mitsuhiko Terashita
There is a small town called Onomichi facing the Seto Inland Sea. It's a city where the sea and the mountains coexist. Lie down on top of a mountain and start listening to Kalm. A good BGV (background view) is a car that goes back and forth between the sea and islands in the eye socket. As you slowly rise with Ananke's drone, a tantalizing David Lynch-like camera shift begins. The trees sway uncontrollably. Alleys in Yamate transform into alleys in Varanasi. The mouth harp is the voice of the sadhu. The cat is staring at them. I don't know where the inn is, but I have a feeling that I want to continue wandering. When I manage to get there, it's morning. In my bed, I listen to the unintelligible language of the women cooking downstairs. Before I knew it, the sound of tableware touching each other changed to tabla. Ah, it would be nice if I just went missing in a foreign town I didn't know. My head and body are numb. Suddenly, the gentle guitar tone pulls me back. Enitokwa had prepared the way for me to get home properly.
Toyama Takeo
This work is already a prescription for sound created by the atmosphere and sound waves, a psychedelic meditation of imaginary sounds that can be heard and felt with free senses and imagination, and will continue into the future. I felt that it was also the soul itself. Thank you for the supreme Soul Sonic Force. Congratulations on the release of your first solo album in 15 years. I was looking forward to it.
COMPUMA
If you look at the garden while listening, you will notice a certain stone. Green stones are lying around. A document of the moment when raw stones erupt in green, fully fermented by luminous intentions.
Shhhhh
Rock is bone, soil is muscle, water is blood. Like the softest thing crushing the hardest thing, flowing between shapes and washing all kinds of things.
power
Just like light and natural phenomena, the world of sound is also true. A sound with a sincere reality is born where lies and vanity cannot reach. When you hear that kind of sound, you can't hear the other sounds. I feel that the spirit of this world evolves more when it is filled with such sounds.
Ako Miki (mirrorball maker/DJ)
From the beginning to the end, it's like watching a Sci-Fi movie directed by ENITOKWA with the title name (2069). NEW AGE? NU AGE?? NO! THIS IS NEO AGE! Don't miss out! MUST BUY!
Gr◯un soil
Enitokwa is probably my longest and most important friend in the electronic music scene. And this album, which he has just finished preparing, shakes the soul as if it transcends real time and space. It seems like every song speaks to the present as Enitokwa. There are not many creators who can face themselves head-on for a long time. I think he's one of those rare people. Back in 1993 or 94, I think we rented out a club in Boston for an event. At that time, I brought my Mac with me, just like now, and played a sequence I created using MIDI and CV/GATE, surrounded by a lot of analog equipment. I think it goes back to that time. Someday, the sound source and video may be released to everyone. By the way, this time I participated in a very nice piece of work on his album with Yoshitake. I am very proud of the result! I just try to blend in with the space-time and space that he is trying to express as much as possible. It was a task that I could not help but feel inevitable. Of course the song is the best result! I don't want to go into any more details than this, but I was listening to one song and it brought tears to my eyes. Tears basically only come out when the soul is shaken, and this album is that kind of album.
Hiroshi Watanabe aka Kaito
There is a rather powerful confection called Ladoo/Laddu, which is made from semolina flour and fried in oil. When the Chola dynasty flourished in medieval India, it is said that people would carry the sweets with them to pray for their safety during life-threatening events such as dispatching troops and expeditions. Even today, there may be occasions where you might be lucky enough to be able to eat this confectionery, for example, at an Indian subcontinental restaurant. “Kokonoe no Agemanju” in Nakamise near Senso-ji Temple, and in Osaka, “Tamaseiya no Ohagi – especially kinako ohagi” along the street where the Bunraku Theater is located. It's interesting because it tastes like a famous confection such as "Tsurogane Manju" in front of Shitenno's gate. The taste is so delicious! …If possible, I want to eat more. The ``suppression'' that arises at this time is the feeling of wanting to see someone close when you have just had your hair done at a beauty salon or barbershop, or the faint feeling of being taken out by your parents when you were young. When memories appear, it's like being transported back to the present time. Time does not extend only in one direction, but in many directions, with different time axes coexisting, constantly changing shape and shape, just like the atolls of the South Seas. As you can see, when gravity is involved, it creates a suitable threshold and distance for coming and going, like an old wooden house or a hermitage perfect for tea ceremonies. Let's try to return the area that can be said to be "out of range" of such a multi-layered timeline of time and space like the lining of sewing. It is actually Eniwetok Atoll in the Marshall Islands, 2,300 miles from Japan. In the 1950s, it was the site of a nuclear test. Assuming that the earth has a back, I think it's a "power spot" where you can't reach your hand to scratch it and it's itchy and itchy. Since the year 2000, many power spots have become semi-tourist spots, and I imagine that they would have been active while exposing the harsh nature beyond human understanding, such as refusing to go in and out. In that sense, I can't help but think that it's a place that ironically turned into a power spot due to unwanted circumstances. Now, when I feel his "2069" along with the feeling of the name Enitokuwa, when I straighten my back, I find myself translating the limits of human activity, which has been forced to change due to unavoidable circumstances. I feel a stubborn yet endless and supple will to renew while doing so. If our unsteady heart is like a fusuma (sliding door) or a folding screen (folding screen), then its intention is as wonderfully concise and profound as a hyogu-shi, who makes a living repairing fusuma (sliding door) paintings that have begun to decay over the years. is deep.
Udmanman
1. Kalm
2.Isla
3. Ananke
4. Seele feat. Yuuji Hiromoto
5. Aqueronte feat. SYNTH SISTERS and Yuuji Hiromoto
6. Dalma - Urban Cave Mix remixed by Mental Youth
7. Kimallus Intro.
8. Kimallus feat. Hiroshi Watanabe aka Kaito and EXPE
9. Moonscapegoat
10. 2069
1994 Japanese Techno - Ambient Enitokwa, who has been a maverick since the dawn of time, finally completed his 5th full-length album after 15 years as a solo artist. Drone passing by Techno-Ambient-House, Experimental sound. Hard Core and Animism stand quietly at its base.
Together with five sets of seven allies.
Hiroshi Watanabe aka Kaito
Yoshitake EXPE
SYNTH SISTERS
Yuuji Hiromoto
Mental Youth (from Rotterdam)
I am convinced that this album was a session between souls heading to the future and souls coming from the future rather than music.
Enitokwa
Drone music, which I arrived at through various musical experiences, is the modern music of the 21st century that makes full use of electronics. A delightful work that expands the art of recording.
Kaoru Inoue
A pure sound like after wiping away all evil thoughts and worldly desires. The revelatory tone that occasionally peeks into the depths of aesthetics is truly delicious.
Music Magazine Writer Mitsuhiko Terashita
There is a small town called Onomichi facing the Seto Inland Sea. It's a city where the sea and the mountains coexist. Lie down on top of a mountain and start listening to Kalm. A good BGV (background view) is a car that goes back and forth between the sea and islands in the eye socket. As you slowly rise with Ananke's drone, a tantalizing David Lynch-like camera shift begins. The trees sway uncontrollably. Alleys in Yamate transform into alleys in Varanasi. The mouth harp is the voice of the sadhu. The cat is staring at them. I don't know where the inn is, but I have a feeling that I want to continue wandering. When I manage to get there, it's morning. In my bed, I listen to the unintelligible language of the women cooking downstairs. Before I knew it, the sound of tableware touching each other changed to tabla. Ah, it would be nice if I just went missing in a foreign town I didn't know. My head and body are numb. Suddenly, the gentle guitar tone pulls me back. Enitokwa had prepared the way for me to get home properly.
Toyama Takeo
This work is already a prescription for sound created by the atmosphere and sound waves, a psychedelic meditation of imaginary sounds that can be heard and felt with free senses and imagination, and will continue into the future. I felt that it was also the soul itself. Thank you for the supreme Soul Sonic Force. Congratulations on the release of your first solo album in 15 years. I was looking forward to it.
COMPUMA
If you look at the garden while listening, you will notice a certain stone. Green stones are lying around. A document of the moment when raw stones erupt in green, fully fermented by luminous intentions.
Shhhhh
Rock is bone, soil is muscle, water is blood. Like the softest thing crushing the hardest thing, flowing between shapes and washing all kinds of things.
power
Just like light and natural phenomena, the world of sound is also true. A sound with a sincere reality is born where lies and vanity cannot reach. When you hear that kind of sound, you can't hear the other sounds. I feel that the spirit of this world evolves more when it is filled with such sounds.
Ako Miki (mirrorball maker/DJ)
From the beginning to the end, it's like watching a Sci-Fi movie directed by ENITOKWA with the title name (2069). NEW AGE? NU AGE?? NO! THIS IS NEO AGE! Don't miss out! MUST BUY!
Gr◯un soil
Enitokwa is probably my longest and most important friend in the electronic music scene. And this album, which he has just finished preparing, shakes the soul as if it transcends real time and space. It seems like every song speaks to the present as Enitokwa. There are not many creators who can face themselves head-on for a long time. I think he's one of those rare people. Back in 1993 or 94, I think we rented out a club in Boston for an event. At that time, I brought my Mac with me, just like now, and played a sequence I created using MIDI and CV/GATE, surrounded by a lot of analog equipment. I think it goes back to that time. Someday, the sound source and video may be released to everyone. By the way, this time I participated in a very nice piece of work on his album with Yoshitake. I am very proud of the result! I just try to blend in with the space-time and space that he is trying to express as much as possible. It was a task that I could not help but feel inevitable. Of course the song is the best result! I don't want to go into any more details than this, but I was listening to one song and it brought tears to my eyes. Tears basically only come out when the soul is shaken, and this album is that kind of album.
Hiroshi Watanabe aka Kaito
There is a rather powerful confection called Ladoo/Laddu, which is made from semolina flour and fried in oil. When the Chola dynasty flourished in medieval India, it is said that people would carry the sweets with them to pray for their safety during life-threatening events such as dispatching troops and expeditions. Even today, there may be occasions where you might be lucky enough to be able to eat this confectionery, for example, at an Indian subcontinental restaurant. “Kokonoe no Agemanju” in Nakamise near Senso-ji Temple, and in Osaka, “Tamaseiya no Ohagi – especially kinako ohagi” along the street where the Bunraku Theater is located. It's interesting because it tastes like a famous confection such as "Tsurogane Manju" in front of Shitenno's gate. The taste is so delicious! …If possible, I want to eat more. The ``suppression'' that arises at this time is the feeling of wanting to see someone close when you have just had your hair done at a beauty salon or barbershop, or the faint feeling of being taken out by your parents when you were young. When memories appear, it's like being transported back to the present time. Time does not extend only in one direction, but in many directions, with different time axes coexisting, constantly changing shape and shape, just like the atolls of the South Seas. As you can see, when gravity is involved, it creates a suitable threshold and distance for coming and going, like an old wooden house or a hermitage perfect for tea ceremonies. Let's try to return the area that can be said to be "out of range" of such a multi-layered timeline of time and space like the lining of sewing. It is actually Eniwetok Atoll in the Marshall Islands, 2,300 miles from Japan. In the 1950s, it was the site of a nuclear test. Assuming that the earth has a back, I think it's a "power spot" where you can't reach your hand to scratch it and it's itchy and itchy. Since the year 2000, many power spots have become semi-tourist spots, and I imagine that they would have been active while exposing the harsh nature beyond human understanding, such as refusing to go in and out. In that sense, I can't help but think that it's a place that ironically turned into a power spot due to unwanted circumstances. Now, when I feel his "2069" along with the feeling of the name Enitokuwa, when I straighten my back, I find myself translating the limits of human activity, which has been forced to change due to unavoidable circumstances. I feel a stubborn yet endless and supple will to renew while doing so. If our unsteady heart is like a fusuma (sliding door) or a folding screen (folding screen), then its intention is as wonderfully concise and profound as a hyogu-shi, who makes a living repairing fusuma (sliding door) paintings that have begun to decay over the years. is deep.
Udmanman
[S-283206]
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